While there are multiple ways to change the view mode of the camera, none of them help, making Zatch Bell! an amazingly annoying game to work around. Attempting to follow in a third person perspective behind either Kiyo or Zatch, the view is constantly rubber-banding in an attempt to keep a lock on the enemy fighters. For starters, the camera is absolutely pitiful, and ranks as one of the worst we've ever seen. In Mamodo Fury, the game counters its predecessor by being entirely void of entertainment, and downright broken in areas. button mashing bonanza with little to no structure. In Mamodo Battles, the main plaguing issue revolved around a lack of depth, as the game turned into an A.D.D.

What it doesn't do, however, is make a solid game. In hopes of bringing a more solid adventure to console gamers, Mamodo Fury attempts a redesign that mirrors the show more accurately. While the previous game didn't get very high marks on anyone's scale, it at least had a very simple charm that served to be the basis of tons of wacky characters from the show, and gave younger gamers a reason to - above all else - mash the PS2 controller as fast as possible with their fist. After scouring the game for any sense of rational thinking or down-to-earth adventure, he gives up, resorting to a review of Zatch Bell! Mamodo Battles that goes along the lines of 'Someone please help me, all you do is button mash, and I don't know what in the Sam hell is going on.' Now that we're back where we started with Zatch Bell! Mamodo Fury, it's my turn, and let me tell you, it's just as confusing and full of Engrish intrusion as its predecessor. So nearly one year ago this creepy doll-fighting Poke-meh anime game lands on IGN's Chris Roper's desk, and literally confuses the hell out of him.

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